Wunderkammer: Southern Art Cross Pollinates at Conduit

 

“Wunderkammer: Southern Art Cross-Pollinates at Conduit”

Wunderkammer (wonder room)
Curator: Phillip M. Jones
Conduit Gallery, Dallas, TX
July 9 – August 31, 2011

published by D Magazine Front Row

Golden animal skulls overlook mannequin sentinels, gaudily guarding shelves of translucent castings, minute paintings and a dry piece of fruit crushed by a vice.
Turning to wonder at idiosyncratic profusion Wunderkammer displays roughly 150 art objects, organized and categorized as the specimens of an eclectic “Curiosity Cabinet.” Started in the 16th century by royalty and scholars, the concept of wunderkammer encouraged the collecting and cataloging of the arcane in an effort to better embrace an ever-expanding world. In this multi-city collaborative exhibit, curator Phillip M. Jones (director of Institute 193, Lexington, Kentucky) selected art defying easy classification from several Kentucky artists and selected Conduit Gallery artists.

“The overarching goal of the exhibition was to create dialogue about the South as a region, emphasizing the need for collaboration and cross-pollination,” says Jones. The exhibit presents works ranging from the intellectual alchemy of SMU professor James Sullivan’s fake rocks to a Kentucky prison artist’s kitschy, dexterous and emotive toilet paper sculptures. Often directly incomparable, the works coerce a conversation between high and low art, offering the possibility of insight through proximity. Meticulously aligned on a series of shelves and cabinets, “Wunderkammer” provides each of the 150 objects space to exist, granting significance to each work. Alternately, the sheer quantity of objects demands a contextual viewing, relating each object to its cluster of neighbors, bleeding individual content into a collective summation of the curatorial vision.

“Wunderkammer” introduces an inclusive, open curatorial format that offers some poignant non-sequiturs as conversational entry points. Aesthetically the exhibit balances between etymology and excess, offering several pleasantly restrained pairings dense with compelling ambiguity.

6/20/2011 _ Ryder Richards

Article quoted

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s